Societys Sexism in the Yellow Wall-Paper - 1109 Words

Signs of societys sexism in The Yellow Wall-Paper The Yellow Wallpaper is a story, by Charlotte Perkins Gilman. Although the work is short, it is one of the most interesting works in existence. Gilman uses literary techniques very well. The symbolism of The Yellow Wall-Paper, can be seen and employed after some thought and make sense immediately. The views and ideals of society are often found in literary works. Whether the author is trying to show the ills of society of merely telling a story, culture is woven onto the words. The relationship between the narrator and her husband would be disagreeable to a modern womans relationship. Today, most women crave equality with their partner. The reader never learns the name of the†¦show more content†¦The room and many of its features twist the common comforts of a home. The room itself used to be a nursery, which is ironic since the narrator was sent to the house to recover from post partum depression. The narrator comments: The window typically represents a view of possibilities. However, for the narrator it represents a view of a world that she can not be a part of. The window is physically barred as she is barred from the world physically and mentally. The bed is nailed down. The bed should be a place of comfort for a couple, not a place where one partner is forced into a life that she does not want to live in that way. As, the title of the work shows, there is obviously something interesting to the narrator about the wallpaper. The strip es in the print of the wallpaper represent bars and the narrator begins to see a figure behind them: The front pattern does moveÂâ€"and no wonder! The woman behind shakes it. Sometimes I think there are a great many women behind, and sometimes only one, (30). While the woman behind the bars shakes them, the narrator can not shake the bars that keep her away from reality. The woman represents the narrator as well as women in general and the movement for womens rights. The narrator also can represent any woman and the struggle that woman went though to get closer to achieving equality. JohnsShow MoreRelated`` The Yellow Wallpaper `` And Feminist Criticism1235 Words   |  5 Pagesexplicit sexism, typically from Republicans. Much of this sexism came about out of fear, as Clinton would have been the United State’s first female president. She faced the patriarchy head-on, yet gender roles enforced by patriarchal ideals held her back, as she lost the presidential election to Donald Trump. The demise of Clinton’s presidency due to patriarchy and gender roles, and the underlying concept of women being inferior due to these maladies, is not a foreign or new concept. â€Å"The Yellow Wallpaper†Read MoreThe Repression Of Women s Creativity1543 Words   |  7 Pagesnot entitled to voice their opinions on issues that matter to them? Why are they restricted from doing so? In Charlotte Perkins Gilman’s The Yellow Wall-Paper, it depicts a women being suppressed creatively as well as emotionally by society. The story is about a woman’s slow decline into insanity, which is fueled by her husband isolating her in a room with yellow wallpaper where she is restricted her from writing and voicing her opinion, which inevitably results in her deteriorating mental health. TheRead MoreDominance In The Yellow Wallpaper1850 Words   |  8 Pages Logically, we must first analyze the nature of these women’s personal confinements and establish that their marriages were, in fact, prison-like in design. In â€Å"The Yellow Wallpaper†, female author Charlotte Perkins Gilman develops a clear power dynamic between her main character, Jane, and her husband, John. Meant to aid as a representation of all/most of men in marriage, John’s tendency to assert entitled dominance over Jane indicates the overall tendency of marriage to encourage male superiorityRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pageswww.businessweek.com; S. Tully, â€Å"Fortune 500: Profits Bounce Back,† Fortune (May 3, 2010), pp. 140–144; D. Ariely, â€Å"You Are What You Measure,† Harvard Business Review (June 2010), p. 38. ENDNOTES 1. Cited in R. Alsop, â€Å"Playing Well with Others,† Wall Street Journal (September 9, 2002). 2. See, for instance, C. Penttila, â€Å"Hiring Hardships,† Entrepreneur (October 2002), pp. 34–35. 3. S. E. Humphrey, J. D. Nahrgang, and F. P. Morgeson, â€Å"Integrating Motivational, Social, and Contextual Work Design